Art movements and theory

Three reference sources on movements and ideas in art.

These are reference works on ideas about art. Two are Wikipedia articles and one is a philosophy encyclopedia entry. This page lists three sources, oldest first where dated.

Themes here: How forms evolve (3), Taste and judgment (1), What lasts (1).

The Concept of the Aesthetic

James Shelley (Auburn University), Stanford Encyclopedia of Philosophy. First published 11 September 2009; substantive revision 24 August 2026. Peer-edited philosophy encyclopedia entry.

James Shelley traces the aesthetic from 18th-century taste to current debates on aesthetic value. The entry is an argued survey with its own critical judgments. It closes by contrasting Euthyphronic and Socratic theories of aesthetic value.

Hauntology

Not stated (Wikipedia contributors). Last edited 26 August 2026. Encyclopedia article, collaboratively written.

This overview runs from Derrida's coinage to use in music criticism and anthropology. It collects definitions and names of writers who used the word. It offers citations to other works but no original argument.

Vorticism

Not stated (Wikipedia contributors). Last edited 6 September 2026. Encyclopedia article, collaboratively written.

The article gives a dated history of Vorticism, from its origins to later exhibitions. It names many artists and venues with dates. It rests on notes citing exhibition catalogues, chiefly Richard Cork's.

Connections to other subjects

These links are this wiki's own reading, not claims the sources make.

Glossary

BLAST
The Vorticists' magazine, which carried their manifesto.
Dazzle camouflage
Bold geometric ship paint meant to confuse enemy range estimates.
Deconstruction
A style of philosophical reading, tied to Derrida, that questions fixed origins and meanings.
Disinterest
Taking pleasure in something without wanting to use it or possess it.
Ethnography
Research that studies a culture by close observation of its people.
Euthyphro dilemma
A puzzle about whether goodness or pleasure comes first.
Formalism
The view that only an artwork's perceptible form matters artistically.
Futurism
An Italian avant-garde movement, led by Marinetti, that celebrated speed and machines.
Hedonism
The view that aesthetic value is value because things give pleasure.
Immediacy thesis
The claim that judging beauty is like sensing, not reasoning from principles.
Ontology
The branch of philosophy that studies what exists and what it means to be.
Retrofuturism
Art that imagines the future as people of the past pictured it.
Vorticism
A 1914 British avant-garde movement favoring hard-edged, geometric near-abstraction.